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Bronx River Waterfall 

New York 

12 x 15 Inches

Oil on canvas 

silverhoejden-frame__0638524_PE698984_S5
Daly Street

Bronx Apartment On The Roof 

Bronx, New York 

17 x 22 Inches

Oil on canvas

192

Signed by the artist

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Introduction

This site was created by the Suib family to present and celebrate the artwork of Joseph Suib (1883-1956), an American painter, sculptor and decorative artist. The Suib family intends to engage art museums, institutions, galleries, or individuals who will collect or exhibit fine art, so that Joseph Suib's artwork will be preserved for generations to come. The art work shown here is a small part of Joseph Suib's vast body of work.   

In early 2024, The Monterey Museum of Art in Monterey, California acquired six of Joseph Suib's California landscapes (c 1907-1910) for their permanent collection, to be shown in a future exhibit. 

(Herman) Joseph Suib was born in Lithuania in 1883 and emigrated to New York City in 1890. He became an artist in the early part of the 20th Century and pursued an interest in drawing with the encouragement of his teachers, although he ended his formal schooling in the fourth grade. Later he attended Cooper Union Art School and The National Academy of Design, where he studied under the American painter Robert Henri

Suib was deeply influenced by Robert Henri, who said: "Art is the giving by each man of his evidence to the world. Those who wish to give, love to give, discover the pleasure of giving."

 

Suib lived by this principle and never sought to sell his artwork, though he exhibited his work extensively at a number of venues including the Whitney Studio Club, The Salons of America, and Anderson Gallery. 

He exhibited with notable artists such as Benjamin Kopman, George Bellows, Edward Hopper, Joseph Stella, Raphael Soyer, and Alfred Stieglitz.

He was active in various art movements including: American Impressionism (Plein-air school), Ashcan School, and Social Realism.  

His portraitures capture the inner persona of each of his subjects, while his landscapes are immersive, delicately embracing the movement and light of nature. In his expressive compositions he often would draw from spiritual, social, and political themes.

 

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